Friday, July 21, 2017

Markuza Shows Art

Welp, I done did it.  It's taken me about a week to recover from my extraordinary efforts, but I can proudly say I have mounted my first solo exhibition.  Before I turned 50.  Who knows, maybe I'll do another one some day.

I'm not going to write much here, a picture being worth a thousand words I think I'll go for some ten thousand picture-words with brief annotation.

The dragon - probably the most popular piece of the show. It is made entirely of what they call eucatex here, I can't remember the damn name in English.  All scavenged from the street, formerly the back part of cheap wardrobes.  It's segmented and each segment fits into the next one.  It is modeled after a wheatpaste I made that went to China with Eric Marechal of Urban Hearts.  This I mostly worked on at the store during quiet periods, of which there have been many lately.

This is an older piece that I included when I realized that I wasn't going to make enough new art to fill up the whole space, which was pretty big.

The owner of the space encouraged me to "break out of the rectangle," which is why I made these more sculptural things.  This guy is a Markuza version of those bird mobiles you see around, if you pull down on the tail he flaps his wings, briefly.  Also made of entirely found materials - I only bought the paint, the string, and the eye hooks to attach the wings to.  Well, I bought the hinges and stuff too, but for previous, forgotten projects.

My dad met Alexander Calder, and was friends with his daughter.  He used to make mobiles too, which is probably why I was inspired to make one myself, albeit a super simple one.  There's a preschool in this space (hence the toys and the tent) apparently the kids loved these guys.  Let me just take a second to say that my dad would have been thrilled that I did this show. 

The last of the semi-3d 'kinetic' works.

All these guys are made from repurposed particle board, mostly old shitty wardrobes that get thrown out on a fairly regular basis around here.  I had been looking around for one to make these guys out of and rescued one out of the back of the dump truck.  As you can see, an extremely fragile material to work with.  I was terrified the flapping guy would fall on the ground and meet a similar fate.

These two paintings were by far what I spent the most time on.  I wanted to do the whole show in this vein, but it's just as well I couldn't pull it off - the owner of the space didn't really like them.  He said that although my other pieces were mature works, these looked like I was "trying to be a painter," to which I say: fair enough.  I wasn't terribly pleased with the result either, I needed at least another week of dithering on them to finish them properly.  However, they have gotten a positive response on Facebook and by the few who were present at the opening, so now I feel better about them.  And will continue to work on stuff like this, regardless of what people think.

More filler works: the one on the right is part of a tryptich of unfinished panels I did, this was the only one I was able to finish in time for the show.  The painting on the left glows in the dark and is one of the only paintings that is done on a proper canvas, the rest are painted on repurposed political posters.

The freakin' gorgeous view out the back of the "gallery."

He had the idea to make a labyrinth in the entryway, which turned out pretty cool even though it didn't photograph well.  It would have been better if I'd had a couple more hours to work on it.  It was also the item that pushed me over the edge into the realm of pure exhaustion.

And that's it!  This is a picture of a rainbow, because everybody loves rainbows.  It has nothing do with the show.  I took it while I was walking the dog, something I won't be doing for much longer, if at all.  I'll leave that story for the next post.


Anonymous said...

Big congrats to you, Mark - you should be proud. A few of those pieces already seem iconic, if that makes any sense.

Hopefully all worth the (I assume) seemingly unceasing years of self-doubt and quiet despair.

Could you do that 1st painting as a t-shirt print ? Markuza sounds like an obvious fashion, label right ?

I'll sell 'em here at the local markets, and tip back 30% your way.

With my now ten minutes of fashion marketing experience gleaned from a quick survey of youtube videos, I don't see how this could be anything other than a cultural phenomenon.

Think on it.

markuza said...

Hey thanks, presumably Brisbane-based Anonymous! Would love to do a shirt of that one, I have all the stuff to make shirts, but the motivation and time all went away. It's one of those things I keep hoping to get back to, which is why I haven't sold all the equipment. Maybe in the next chapter of my life, which should be starting soon, I will have more time for art. And more importantly, more motivated. Positive feedback (like your comment, Anonymous old friend) makes all the difference. If I do get it together to make some shirts again you can be sure I'll post about it here! Just, ah, don't hold your breath.